One of Lionel’s strengths is his ability to deliver a track like this totally sincerely in a world that prefers to be knowing and cynical. Since then, this unique singer has treated us to many more messages from his heart.įrom 1983’s all-conquering Can’t Slow Down, “Running With The Night” was co-written with Lionel Richie’s regular collaborator/producer James Anthony Carmichael, and Cynthia Weil, who’d composed numerous pop classics such as “You’ve Lost That Lovin’ Feelin’” and “Looking Through The Eyes Of Love.” This sound epitomizes early 80s US pop radio: moody, dark, and exciting.Īnother song from Can’t Slow Down, and a No.1 hit almost everywhere it was released as a single – which was pretty much everywhere.
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Richie’s third solo set of songs, 1986’s Dancing On The Ceiling, became his last for 10 years as he explored life’s other avenues until he could give his music full focus again. Richie was arguably the only superstar created by Motown in the 80s, but he was careful not to spoil his status by producing anything that was less than his best. In 1981 Richie hit No.1 with “Endless Love,” a duet with Diana Ross, setting the stage for a phenomenally successful solo career. Though Lionel was not the band’s only lead singer, his glowing, highly identifiable tones became associated with most of Commodores’ biggest hits, such as “Easy,” “Sail On” and “Just To Be Close To You,” all vital milestones of their era. Richie’s sincere and soulful voice has been in our lives since 1974, when Commodores roared out of Tuskegee, Alabama, and set about becoming one of Motown’s greatest acts of the 70s. More than anything, however, The Commodores leave it all on stage every time they play, because they know that they are able to write their own ticket through their music.Like his fans, the best Lionel Richie songs started out in party mode, but matured to grow romantic and warm, finding a more satisfying way of life – and love. They were 2003 inductees in the Vocal Group Hall of Fame, and have earned an American Music Award. From a performing point of view, Orange, King and Nicholas simply can’t be slowed down.
“Nightshift” also garnered the band a Grammy award. They focused on their own unique brand of Southern funk, rising to the top with chart-toppers including “Slippery When Wet” and “Just to Be Close to You.” Now, backed by their five-piece band, The Mean Machine, The Commodores share their unique vocal stylings through even more of their number one hits, including “Three Times a Lady” and “Still,” two more of their seven songs that have topped the US R&B charts. Four years later, they were signed to Motown Records after opening on tour for the Jackson 5. The Commodores first met at Tuskegee Institute in Alabama. Orange’s instantly recognizable voice reminds everyone that she's a "Brick House," one of the band's most recognizable hit singles. "Machine Gun," a grooving instrumental from their debut album, feels as fresh today as the day the tracks were laid down.
Nicholas take audiences on a tour through the roots of funky soul. In concert, Walter Orange, William “WAK” King and J.D. The Commodores are one of the most iconic funk and soul bands to ever bust a groove, riding the rhythm section since 1968 and remaining musical innovators to this day.
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